Anniversary issue features seven original commissions by leading photographers and artists, and seven essays about Apertures legacy by award-winning writers and critics

This fall, Aperture celebrates seventy years in print with an issue that explores the magazines past while charting its future. Reflecting on the founding editors original mission and drawing on Apertures global community of photographers, writers, and thinkers, this issue features seven original artist commissions as well as seven essays by some of the most incisive writers working todayeach engaging with the magazines archive in distinct ways.

Among the original artist commissions, Iaki Bonillas selects iconic images and texts from the Apertures archive from the 1950s to produce open-ended narrative collages. Dayanita Singh reflects on the 1960s and the family album as a serious photographic form.Yto Barradaenacts sculptural interventions to issues and spreads from the 1970s, using remnants of the late artist Bettina Grossmans color paper cutouts.Mark Steinmetzdraws inspiration from the magazines Summer 1987 issue, Mothers & Daughters, to compose a photo essay of his wife, the photographer Irina Rozovsky, and their daughter Amelia. Considering the matrix of censorship, art, and religion in the 1990s,John Edmondscreates a tableau about family, faith, and grief.Hannah Whitakerexplores the turn of the century, and the ways in which our anxieties about technology create speculative worlds. AndHank Willis Thomasdraws on Apertures issues from the 2010s to create a series of collages that reference traditional quilt patterning, revivifying history and remixing the present.

Looking back upon Apertures legacy,Darryl Pinckneyreconsiders the photographer and editor Minor White, whose vision shaped the magazine for nearly two decades, beginning in the 1950s.Olivia Laingwrites about the 1960s and the tensions between reportage and artistry in the work of Dorothea Lange, W. Eugene Smith, and others.Geoff Dyerrevisits to the 1970s, which he considers a decade of new ideas and deeper reflection on the medium, looking into the works of William Eggleston and Ralph Eugene Meatyard.Brian Wallislooks back at the politics, art, identity, and the culture wars of the 1980s, whileSusan Strykerreflects on Apertures archive from the 1990s and its foregrounding of identity beyond the gender binary, evoking Catherine Opie, Elaine Reichek, and Apertures pathbreaking Male/Female issue. Lynne Tillman illustrates how photographers searched for the tangible in an increasingly digital world in the 2000s, and the Pulitzer Prize-winning critic Salamishah Tillet shows how the photo album became a source of connection and narrative amid the information overabundance of the 2010s.