My decision to base my work in cultural theory, rather than traditional aesthetics, has resulted in work whose precise location is uncertain, between: between gallery and book; between visual art and theory; between image and narrative work providing work between reader and text. Victor Burgin, Between

Between is as rich as the best movies by Jean-Luc Godard: fiercely critical, joyously playful, wildly idiosyncratic yet always interested in telling us about the culture in which we live and the alternatives. David Campany, Aperture

First published in 1986 and long out of print, Between charts Burgins passage from early conceptual art, via appropriationist works and critiques of mass media imagery to a series of photo-texts informed by psychoanalysis, semiotics, cinema studies and feminism. Photographer, critic and curator David Campany writes: Between was first published into a time when the art markets came to dominate and dictate as never before. Art was no longer that stubborn space of resistance and reflection; it was to be part of the spectacle of neo-liberal capitalism in which image is all. Self-congratulatory art fairs, artists as media celebrities, bloated auction prices, and the reduction of criticality to recognisable and increasingly empty gestures. Burgin makes photographic work like no other artist, but his themes and motifs are drawn from experiences common to us all the modern city, the structures of family, language as something that forms and reforms us, the power of images, principles of government, memory and history. And yet, encouraged by the media to look to art for quick messages, some audiences and critics have found his work inaccessible. Actually Burgins work is among the most accessible I know, if by that we mean easy to get into. Its the getting out thats tricky.

Interweaving Burgins visual work with fragments from interviews, talks and letters, Between offers insights into the relation of theory to practice in a form of art which has undermined the basis of this distinction. This MACK facsimile makes Burgins historic and groundbreaking book available for the first time in over three decades.

190 pages, 26.8 x 22 cm, OTA bound paperback, MACK (London)